COMPETITION: Round Two
The Olney Centre High Street, Olney, United KingdomAfter Dark (DPI) My Happy Place (DPI) Open (Print) Judge: Penny Reeves
After Dark (DPI) My Happy Place (DPI) Open (Print) Judge: Penny Reeves
Meet in Stevington. For those that enjoy flower photography, Kathy Brown's Garden is a delight. There is a £10 entrance fee. For those less inclined to flora, the windmill in Stevington is another option. Either way, we will meet up at The Royal George later to share what we have taken. Kempston club are likely to join us for this […]
Rain, snow and mist - first, this lecture shows images depicting Anne's 'perfect' photographic weathers. But what do you do when the weather isn't perfect for photography - some suggestions are made of subjects and techniques to employ when the light is dull or when the sun shines too brightly. More info
Crossness provides a wonderful environment for photography. Whether your interest is architectural, industrial or the abstract they provide an extraordinary venue. The photographic trip is limited to 20 people to ensure that the venue is too crowded for good photo opportunities. We need a minimum of 12 people. The visit last 4 hours and is private. More info
For all levels from enthusiasts with tripods to beginners with smartphones. Dan will escort us around some photographic highlights of Olney, with the focus on seeing and capturing impactful images. It is about aesthetics rather than technology and kit. Maximum 8. For those that would like to, we will convene afterwards in The Bull.
There will be no meeting tonight.
Don't worry - no music involved. But like an informal Open Mic night, come along and use your 15 minure slot for anything photography based. You can show a You Tube video, bring an image in for critique or advice, show a slide show from a recent trip of project, talk about a technique, photographer or style you live, set […]
This first solo UK exhibition of Chilean photographer Paz Errázuriz (b. 1944) presents over 170 works in colour and black and white from the 1970s to the present day. Often working in series, her photographs include men and women in psychiatric institutions, Trans communities, sex workers, homeless people and the Kawésqar, an indigenous community under threat. Find out more
Long Exposure (Print) Artist at Work (DPI) Open (DPI) Judge: Naomi Saul
If you have ideas for next year's programme, themes for the competition, how we do things, or are just nosy about our finances and processes, please do come along to the AGM.